- 作 者：姜丰著
- 出 版 社：上海：复旦大学出版社
- 出版年份：2010
- ISBN：9787309067156
- 标注页数：293 页
- PDF页数：304 页
请阅读订购服务说明与试读!
订购服务说明
1、本站所有的书默认都是PDF格式，该格式图书只能阅读和打印，不能再次编辑。
2、除分上下册或者多册的情况下，一般PDF页数一定要大于标注页数才建议下单购买。【本资源304 ≥293页】
图书下载及付费说明
1、所有的电子图书为PDF格式，支持电脑、手机、平板等各类电子设备阅读；可以任意拷贝文件到不同的阅读设备里进行阅读。
2、电子图书在提交订单后一般半小时内处理完成,最晚48小时内处理完成。(非工作日购买会延迟)
3、所有的电子图书都是原书直接扫描方式制作而成。
Chapter One Introduction 1
1．New Chinese Film:The Inadequacy of Labels in Describing the New Film Practices in China 4
2．Mapping Contemporary Chinese Film 21
3．Discursive Parameters 47
Chapter Two Identifying Docu-realism in Terms of History,Philosophy and Aesthetics 76
1．Historically:Inside and Outside China 76
2．Philosophically:The Redemption of Physical Reality 91
3．Aesthetic Principles 111
Chapter Three Zhang Yuan:A Breakthrough in Presenting Reality—Escape from the Encirclement of Melo-realism 141
1．Zhang Yuan and New Approaches to Reality 144
2．Sons·Cinéma-vérité·Cinema-direct 154
3．Seventeen Years and the New Documentary Movement 162
Chapter Four Jia Zhangke:Distinguishing Nostalgia from the Fifth Generation's Exoticism 174
1．Xiaowu:The Common Man's Consciousness and the Popular Perspective 176
2．Platform:Loose Narration and De-dramatization 190
3．Unknown Pleasure:Redemption of Real Life Through Sound 203
Chapter Five Wang Xiaoshuai,Wang Chao,Lu Xuechang,Zhang Ming:Constructing Docu-realist Aesthetics in Film Construction 218
1．Shot·Deep focus·Mise-en-scène 221
2．Colour·Light·Physical Reality 229
3．Editing·Montage·Long-take 240
Conclusion 250
Appendix Main Docu-realist Film Directors and Their Works 254
Bibliography 257
Glossary 284